CROSSLUCID is an artist collective (founded in 2018) dedicated to highly collaborative, multidisciplinary projects in co-evolution with technology. Their work and research converge around the exploration of the self as a network; intimacy and the potential for pleasurable actualization through the digital sphere; and the reimagining of our alliances with technology as part of a sympoietic biosphere and post-material universal consciousness. Through explorations ranging from filmmaking to poetic artificial intelligence, multi-layered collage techniques, assemblage, and experience-based interventions, they create experiential scenarios and formats that instigate the prototyping and experimentation of potential futures, as well as the progression of metamodern values. His work has been exhibited and presented at the Shanghai Architecture Biennale / MetaCity (2023-2024), iMAL (2022), Vellum LA (2022, 2023), EPOCH.Gallery (2023), the Osaka Museum of Fine Arts (2022), Francisco Carolinum Linz (2023), Expanded.Art (2023), the Art Encounters Biennale (2023), the MuseumsQuartier Wien (2023-2024), the Museum of Contemporary Art Zagreb (2023), arebyte London (2023), Chronus Art Center Shanghai (2023), the Artificial Intelligence Biennale Germany (2022), NOWNESS (2021), Google Arts & Culture (2021), the incorrect biennale (2024), Garage Rotterdam (2023), Art Basel Miami (2022), Lobkowicz Palace (2022), and ARD Culture (2022), among others. Her work has been commissioned by the Berggruen Institute and Future Humans, the Serpentine Galleries, CADAF, Google Arts & Culture, MetaMedia, Nike, the PHI Centre Montreal, Selfridges, Snap Inc, VAN HAM, and Universal, among others.

Editor, curator, and artist, Zapata studied Classical Literature at the National Autonomous University of Mexico (UNAM). His work focuses on automated writing models, visual languages, and net art. He trained as part of the 2016 Photographic Production Seminar at the Centro de la Imagen and was awarded a scholarship by the Foundation of Mexican Letters (2015-16). Zapata's art has been exhibited at the Centro de la Imagen, Progreso Gallery, Cuartelito, the Museo Universitario de Arte Contemporáneo, the Carrillo Gil Museum, and the Visual Arts Center at the University of Texas at Austin. His work is included in the Electronic Literature Collection Volume 4. He has curated exhibitions at Galería Libertad, the Museum of the City of Querétaro, the Oaxaca Book Fair, The Wrong Biennial 2019-20, and Casa Equis.

Experimental composer/sound and visual artist. Guillermo Galindo's work redefines the conventional boundaries of music and musical composition through intersections between different artistic disciplines. His multidisciplinary work straddles the boundaries of sound, vision, three-dimensional space, ritual, movement, and performance. His work addresses political, humanitarian, spiritual, and socially conscious themes. His work includes orchestral compositions, instrumental works, opera, sound sculpture, graphic scores, interactive works, electroacoustic music, film and video, the making and performance of sound objects, computer interaction, immersive installations, and controlled live improvisation.