Artistic producer, screenwriter, and entrepreneur with over 18 years of experience in artistic and cultural production and creation, specifically in music and film. He holds undergraduate and graduate degrees in Philosophy, Filmmaking, Cultural Management, Artistic Production, and Senior Business Management in Mexico, the United States, Spain, and France. He was the co-founder and Executive Director of Instrumenta, a leading institution in music education and production in Mexico, nationally, and internationally. He is the founder of Protovecka, a production company focused on generating interdisciplinary artistic content in fields such as music, visual arts, film, and aesthetic thought. He is currently the Technical Secretary of Planning and Programming for the Coordination of Cultural Diffusion at UNAM, where he carries out artistic planning and programming at the national and international level.

Prominent essayist, narrator, journalist, and science and literature communicator. His career includes roles as host of cultural programs such as 9:30, Luz Verde, and La oveja Eléctrica on Channel 22. He also served as editor-in-chief of the supplement La Cultura en México for Siempre! magazine and collaborated with media outlets such as La Jornada and Reforma. In recognition of his journalistic work, he was awarded the National Journalism Award in 1994. Throughout his career, Gordon has stood out for his ability to disseminate knowledge about science and literature, combining his passion for both fields in his journalistic and educational work. His contributions to the cultural and journalistic fields have been widely recognized nationally.

Dancer, choreographer, teacher, and stage director. She was a member of the Caracas Contemporary Ballet, a soloist with the Teresa Carreño Ballet, a principal dancer with the National Ballet of Ecuador, and for 12 years a dancer and choreographer with the National Dance Company of Mexico (CND). Winner of the CND's internal choreography competition for two consecutive years with the works Planimetría del movimiento and TRINUM, she created Blancanieves (Snow White) (nominated for the Lunas of the National Auditorium), Miliano, L.E.O. el espacio onírico (The Dream Space), Misty, Espacio efímero (Ephemeral Space), and Refugio (Shelter), pieces presented at the most important venues and festivals in Mexico. For the National Ballet of El Salvador, she created Tempus and its versions of Carmina Burana and Blancanieves (Snow White).

She holds a Master's degree in Communication from the Universidad Iberoamericana and a Bachelor's degree in International Relations from Anáhuac University. She currently participates in project management for Home Office for Cultural Affairs at UNAM, particularly in El Aleph, the Art and Science Festival. She has collaborated on the production of projects for ESPN, including its program 30 for 30. She has also participated with civil society organizations on projects related to community cultural management, public space recovery, and urban mobility.

Audiovisual producer. He studied Educational Communication and Law at the Marist University, and Literature at the Dynamic School of Writers. His professional career has spanned film, museums, the publishing industry, politics, and culture. He founded and directed the Mantarraya Film Workshop. He directed the audiovisual and graphic curatorship of the Museum of Constitutions at UNAM. He edited and coordinated the editorial project TRANSICIÓN by Carmen Aristegui (Random House); LA ÓPERA HOY by Gerardo Kleinburg (UNAM); and MÚSICA CONTEMPORÁNEA by Pablo Gómez (UNAM). He collaborates with Cultura UNAM on film, radio, and publishing activities.

Writer and director of theater, film, and television. His work has been recognized with the Víctor Hugo Rascón Banda and Juan Ruiz de Alarcón national playwriting awards, the Sor Juan Inés de la Cruz International Bicentennial Literature Award, the National University Distinction for Young Academics in the area of ​​Artistic Creation, the National System of Art Creators, the Danzante de Oro award at the Huesca International Film Festival, and the Ariel from the Mexican Academy of Cinematographic Sciences and Arts. He has received commissions from the Teatro Español in Madrid, the National Theater Company, DramaFest, and the National Autonomous University of Mexico. His works have been presented in Mexico, Brazil, Spain, Japan, Colombia, Argentina, and Australia. Among them, the following stand out: How to Write an Adolescence (1984), 1882, the Year We Were an Empire (2002), Lascuráin or the Brevity of Power (2005), Oedip in Colophon (2009), The Prodigal Father (2010) and The Negotiation (2017). He directed the television miniseries The Golden Age of Melancholy (2004) as well as the short films Sunday the Seventh (1996), Live (2002), Medalla al empeño (2004) and 40 Degrees in the Shade (2009). He is a professor at the National School of Cinematographic Arts of the UNAM.

Mexican interdisciplinary artist who explores the relationship between technology and society through languages ​​such as textiles, electronic media, sculpture, drawing, and performance. She has been an artist-in-residence at the Bauhaus Dessau Foundation (Germany) and Google Arts & Culture (France). Her work has been shown in diverse spaces such as the Belvedere 21 Museum; San Francisco Museum of Modern Art (SFMOMA); Museo Universitario de Arte Contemporáneo (MUAC); Museo LENTOS; Rijksmuseum Twenthe; Museum of Contemporary Art Belgrade; Museum of Contemporary Art of Castilla y León, among others. Her work is part of diverse collections such as Kadist, SFMOMA, Bauhaus Dessau Foundation, Fundación Bienal Cuenca, and Museo Carrillo Gil, among others.

Cultural producer and curator with a long history of developing projects at the intersection of knowledge, especially between art, science, and technology, she is currently the coordinator of the Max Aub Chair, Transdisciplinarity in Art and Technology at the National Autonomous University of Mexico (UNAM) and a CIFAR (Canadian Institute for Advanced Research) fellow for the collective project Future Flourishing. She directed the Laboratorio Arte Alameda between 2007 and 2018 and the Multimedia Center of the National Center for the Arts in Mexico between 2004 and 2007. She earned a Bachelor's degree in Art Education from the Escuela Superior de Artes de Yucatán, completed the Advanced Museum Management Program (Autonomous Institute of Technology of Mexico, Institute of Museum Leadership, and the Getty Leadership Institute), and studied Visual Arts at the National School of Plastic Arts at UNAM. She has curated several projects, including Surrounded (2009), a site-specific collection of works by Iván Abreu and Jerónimo Hagerman at the School of Art, Media and Design at Nanyang Technological University in Singapore; Archaeology of Autonomy (2018) at Laboratorio Arte Alameda; and Fiamma Montezemolo: Dreaming of Bison (2019) at Laboratorio Arte Alameda.