Dancer, choreographer, teacher, and stage director. She was a member of the Caracas Contemporary Ballet, a soloist with the Teresa Carreño Ballet, a principal dancer with the National Ballet of Ecuador, and for 12 years a dancer and choreographer with the National Dance Company of Mexico (CND). Winner of the CND's internal choreography competition for two consecutive years with the works Planimetría del movimiento and TRINUM, she created Blancanieves (Snow White) (nominated for the Lunas of the National Auditorium), Miliano, L.E.O. el espacio onírico (The Dream Space), Misty, Espacio efímero (Ephemeral Space), and Refugio (Shelter), pieces presented at the most important venues and festivals in Mexico. For the National Ballet of El Salvador, she created Tempus and its versions of Carmina Burana and Blancanieves (Snow White).

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.

She holds a Master's degree in Communication from the Universidad Iberoamericana and a Bachelor's degree in International Relations from Anáhuac University. She currently participates in project management for Home Office for Cultural Affairs at UNAM, particularly in El Aleph, the Art and Science Festival. She has collaborated on the production of projects for ESPN, including its program 30 for 30. She has also participated with civil society organizations on projects related to community cultural management, public space recovery, and urban mobility.

Audiovisual producer. He studied Educational Communication and Law at the Marist University, and Literature at the Dynamic School of Writers. His professional career has spanned film, museums, the publishing industry, politics, and culture. He founded and directed the Mantarraya Film Workshop. He directed the audiovisual and graphic curatorship of the Museum of Constitutions at UNAM. He edited and coordinated the editorial project TRANSICIÓN by Carmen Aristegui (Random House); LA ÓPERA HOY by Gerardo Kleinburg (UNAM); and MÚSICA CONTEMPORÁNEA by Pablo Gómez (UNAM). He collaborates with Cultura UNAM on film, radio, and publishing activities.

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.