She holds a Master's degree in Communication from the Universidad Iberoamericana and a Bachelor's degree in International Relations from Anáhuac University. She currently participates in project management for Home Office for Cultural Affairs at UNAM, particularly in El Aleph, the Art and Science Festival. She has collaborated on the production of projects for ESPN, including its program 30 for 30. She has also participated with civil society organizations on projects related to community cultural management, public space recovery, and urban mobility.

Audiovisual producer. He studied Educational Communication and Law at the Marist University, and Literature at the Dynamic School of Writers. His professional career has spanned film, museums, the publishing industry, politics, and culture. He founded and directed the Mantarraya Film Workshop. He directed the audiovisual and graphic curatorship of the Museum of Constitutions at UNAM. He edited and coordinated the editorial project TRANSICIÓN by Carmen Aristegui (Random House); LA ÓPERA HOY by Gerardo Kleinburg (UNAM); and MÚSICA CONTEMPORÁNEA by Pablo Gómez (UNAM). He collaborates with Cultura UNAM on film, radio, and publishing activities.

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.

Writer and director of theater, film, and television. His work has been recognized with the Víctor Hugo Rascón Banda and Juan Ruiz de Alarcón national playwriting awards, the Sor Juan Inés de la Cruz International Bicentennial Literature Award, the National University Distinction for Young Academics in the area of ​​Artistic Creation, the National System of Art Creators, the Danzante de Oro award at the Huesca International Film Festival, and the Ariel from the Mexican Academy of Cinematographic Sciences and Arts. He has received commissions from the Teatro Español in Madrid, the National Theater Company, DramaFest, and the National Autonomous University of Mexico. His works have been presented in Mexico, Brazil, Spain, Japan, Colombia, Argentina, and Australia. Among them, the following stand out: How to Write an Adolescence (1984), 1882, the Year We Were an Empire (2002), Lascuráin or the Brevity of Power (2005), Oedip in Colophon (2009), The Prodigal Father (2010) and The Negotiation (2017). He directed the television miniseries The Golden Age of Melancholy (2004) as well as the short films Sunday the Seventh (1996), Live (2002), Medalla al empeño (2004) and 40 Degrees in the Shade (2009). He is a professor at the National School of Cinematographic Arts of the UNAM.

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.