She began her dance studies with Guillermo Maldonado and danced professionally with the U.X. Onodanza company, directed by Raúl Parrao. She holds a degree in contemporary dance from The Boston Conservatory and Marymount Manhattan College in New York. She earned a Master's degree in contemporary and modern art from Casa Lamm in Mexico City. As a professional dancer, during her time in New York (1994-2000), she performed with two groups that are influential in her work: the Stanley Love Performance Group and Anime Dance, a Japanese company. Later, she began her choreographic project, Mitrovica, which has produced numerous works. In 2012, she participated in an artist residency granted by Location One Gallery and the Mexican Cultural Institute of New York, culminating in the exhibition of her work, Everything Expires, after seven months of work. She spent three years working on the documentary Movimiento Mexicano en el tiempo (Mexican Movement Through Time), which is part of the National System of Art Creators (2015-2018). She has extensive experience in academic settings as a professor at institutions such as the National Polytechnic Institute, the Mexican Dance Academy, and UNAM, among others. She has also worked at venues such as the Tamayo Museum, Casa del Lago, and Location One, New York.

Cultural producer and curator with a long history of developing projects at the intersection of knowledge, especially between art, science, and technology, she is currently the coordinator of the Max Aub Chair, Transdisciplinarity in Art and Technology at the National Autonomous University of Mexico (UNAM) and a CIFAR (Canadian Institute for Advanced Research) fellow for the collective project Future Flourishing. She directed the Laboratorio Arte Alameda between 2007 and 2018 and the Multimedia Center of the National Center for the Arts in Mexico between 2004 and 2007. She earned a Bachelor's degree in Art Education from the Escuela Superior de Artes de Yucatán, completed the Advanced Museum Management Program (Autonomous Institute of Technology of Mexico, Institute of Museum Leadership, and the Getty Leadership Institute), and studied Visual Arts at the National School of Plastic Arts at UNAM. She has curated several projects, including Surrounded (2009), a site-specific collection of works by Iván Abreu and Jerónimo Hagerman at the School of Art, Media and Design at Nanyang Technological University in Singapore; Archaeology of Autonomy (2018) at Laboratorio Arte Alameda; and Fiamma Montezemolo: Dreaming of Bison (2019) at Laboratorio Arte Alameda.