Participantes
Julián Bonequi
Julián Bonequi
Irina Marcano
Irina Marcano
Dancer, choreographer, teacher, and stage director. She was a member of the Caracas Contemporary Ballet, a soloist with the Teresa Carreño Ballet, a principal dancer with the National Ballet of Ecuador, and for 12 years a dancer and choreographer with the National Dance Company of Mexico (CND). Winner of the CND's internal choreography competition for two consecutive years with the works Planimetría del movimiento and TRINUM, she created Blancanieves (Snow White) (nominated for the Lunas of the National Auditorium), Miliano, L.E.O. el espacio onírico (The Dream Space), Misty, Espacio efímero (Ephemeral Space), and Refugio (Shelter), pieces presented at the most important venues and festivals in Mexico. For the National Ballet of El Salvador, she created Tempus and its versions of Carmina Burana and Blancanieves (Snow White).
Raúl Monroy
Raúl Monroy
He earned his Ph.D. in Artificial Intelligence from the University of Edinburgh in 1998 under the supervision of Professor Alan Bundy. He has been affiliated with Tecnológico de Monterrey since 1985 and has served as a Full Research Professor since 2010. He is a member of several distinguished scientific organizations, including Mexico’s National System of Researchers (Level III), the Mexican Academy of Sciences, the Mexican Academy of Computing, and the Academic Technical Committee of CONACYT’s Thematic Network on Applied Computational Intelligence. His current research focuses on the development of novel machine learning models and their application to cybersecurity challenges. Throughout his career, he has chaired the technical program committees of numerous international conferences and workshops. He is the former President of the Mexican Society for Artificial Intelligence (SMIA), the former President of CONACYT’s Thematic Network on Information and Communication Technologies, and former Secretary of the Mexican Academy of Computing. At Tecnológico de Monterrey, he leads the Advanced Artificial Intelligence Research Group.
Tania Aedo
Tania Aedo
Cultural producer and curator with a long history of developing projects at the intersection of knowledge, especially between art, science, and technology, she is currently the coordinator of the Max Aub Chair, Transdisciplinarity in Art and Technology at the National Autonomous University of Mexico (UNAM) and a CIFAR (Canadian Institute for Advanced Research) fellow for the collective project Future Flourishing. She directed the Laboratorio Arte Alameda between 2007 and 2018 and the Multimedia Center of the National Center for the Arts in Mexico between 2004 and 2007. She earned a Bachelor's degree in Art Education from the Escuela Superior de Artes de Yucatán, completed the Advanced Museum Management Program (Autonomous Institute of Technology of Mexico, Institute of Museum Leadership, and the Getty Leadership Institute), and studied Visual Arts at the National School of Plastic Arts at UNAM. She has curated several projects, including Surrounded (2009), a site-specific collection of works by Iván Abreu and Jerónimo Hagerman at the School of Art, Media and Design at Nanyang Technological University in Singapore; Archaeology of Autonomy (2018) at Laboratorio Arte Alameda; and Fiamma Montezemolo: Dreaming of Bison (2019) at Laboratorio Arte Alameda.
Videos subidos recientemente
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Introducción a El Aleph. Festival de Arte y Ciencia 2024
Juan Ayala
Juan Ayala
Artistic producer, screenwriter, and entrepreneur with over 18 years of experience in artistic and cultural production and creation, specifically in music and film. He holds undergraduate and graduate degrees in Philosophy, Filmmaking, Cultural Management, Artistic Production, and Senior Business Management in Mexico, the United States, Spain, and France. He was the co-founder and Executive Director of Instrumenta, a leading institution in music education and production in Mexico, nationally, and internationally. He is the founder of Protovecka, a production company focused on generating interdisciplinary artistic content in fields such as music, visual arts, film, and aesthetic thought. He is currently the Technical Secretary of Planning and Programming for the Coordination of Cultural Diffusion at UNAM, where he carries out artistic planning and programming at the national and international level.
José Gordon
José Gordon
Prominent essayist, narrator, journalist, and science and literature communicator. His career includes roles as host of cultural programs such as 9:30, Luz Verde, and La oveja Eléctrica on Channel 22. He also served as editor-in-chief of the supplement La Cultura en México for Siempre! magazine and collaborated with media outlets such as La Jornada and Reforma. In recognition of his journalistic work, he was awarded the National Journalism Award in 1994. Throughout his career, Gordon has stood out for his ability to disseminate knowledge about science and literature, combining his passion for both fields in his journalistic and educational work. His contributions to the cultural and journalistic fields have been widely recognized nationally.
Iván Martínez
Iván Martínez
Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.
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Santiago Gardeazábal
Iván Martínez
Iván Martínez
Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.
“¿Sueñan los androides con ovejas eléctricas?”, se preguntaba el novelista Philip K. Dick. En esas líneas se dibuja la posibilidad de que las máquinas logren lo que se considera una de las actividades que más distinguen al ser humano: la capacidad de soñar.