Writer and director of theater, film, and television. His work has been recognized with the Víctor Hugo Rascón Banda and Juan Ruiz de Alarcón national playwriting awards, the Sor Juan Inés de la Cruz International Bicentennial Literature Award, the National University Distinction for Young Academics in the area of ​​Artistic Creation, the National System of Art Creators, the Danzante de Oro award at the Huesca International Film Festival, and the Ariel from the Mexican Academy of Cinematographic Sciences and Arts. He has received commissions from the Teatro Español in Madrid, the National Theater Company, DramaFest, and the National Autonomous University of Mexico. His works have been presented in Mexico, Brazil, Spain, Japan, Colombia, Argentina, and Australia. Among them, the following stand out: How to Write an Adolescence (1984), 1882, the Year We Were an Empire (2002), Lascuráin or the Brevity of Power (2005), Oedip in Colophon (2009), The Prodigal Father (2010) and The Negotiation (2017). He directed the television miniseries The Golden Age of Melancholy (2004) as well as the short films Sunday the Seventh (1996), Live (2002), Medalla al empeño (2004) and 40 Degrees in the Shade (2009). He is a professor at the National School of Cinematographic Arts of the UNAM.

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.

Mexican interdisciplinary artist who explores the relationship between technology and society through languages ​​such as textiles, electronic media, sculpture, drawing, and performance. She has been an artist-in-residence at the Bauhaus Dessau Foundation (Germany) and Google Arts & Culture (France). Her work has been shown in diverse spaces such as the Belvedere 21 Museum; San Francisco Museum of Modern Art (SFMOMA); Museo Universitario de Arte Contemporáneo (MUAC); Museo LENTOS; Rijksmuseum Twenthe; Museum of Contemporary Art Belgrade; Museum of Contemporary Art of Castilla y León, among others. Her work is part of diverse collections such as Kadist, SFMOMA, Bauhaus Dessau Foundation, Fundación Bienal Cuenca, and Museo Carrillo Gil, among others.

Cultural producer and curator with a long history of developing projects at the intersection of knowledge, especially between art, science, and technology, she is currently the coordinator of the Max Aub Chair, Transdisciplinarity in Art and Technology at the National Autonomous University of Mexico (UNAM) and a CIFAR (Canadian Institute for Advanced Research) fellow for the collective project Future Flourishing. She directed the Laboratorio Arte Alameda between 2007 and 2018 and the Multimedia Center of the National Center for the Arts in Mexico between 2004 and 2007. She earned a Bachelor's degree in Art Education from the Escuela Superior de Artes de Yucatán, completed the Advanced Museum Management Program (Autonomous Institute of Technology of Mexico, Institute of Museum Leadership, and the Getty Leadership Institute), and studied Visual Arts at the National School of Plastic Arts at UNAM. She has curated several projects, including Surrounded (2009), a site-specific collection of works by Iván Abreu and Jerónimo Hagerman at the School of Art, Media and Design at Nanyang Technological University in Singapore; Archaeology of Autonomy (2018) at Laboratorio Arte Alameda; and Fiamma Montezemolo: Dreaming of Bison (2019) at Laboratorio Arte Alameda.

Music critic and theater enthusiast. He has commented on various media and is a contributor to El Heraldo de México. From 2013 to 2022, he wrote the music criticism column for Confabulario, the cultural supplement of El Universal. He founded and edited the classical music magazine L'Orfeo. He hosted the program L'Orfeo Radio on the radio station Código DF. He currently hosts the program En Fa on Radio UNAM. He is a clarinetist and graduated from the Faculty of Music, UNAM.